Music

Stardust Multiplier

Convergence

Liminalia/Personal Affair/ Rubadub

Format: Vinyl and Digital

Release date: May 15th 2026

"Linear ancient voltage-controlled sound rituals. Alien liturgical tones"

Convergence is an ambient album formed through a series of morning rituals during rehabilitation following a severe medical event and an extended hospital stay. After weeks immersed in the constant alarms, beeps, and environmental signals of medical equipment, the act of listening itself became recalibrated. The music was performed and assembled using glass marimba, flute, and analog synthesizers, with each instrument treated as a source of resonance and gradually dissected through spectral analysis—allowing melody to emerge from fragments through repetition, attention, and daily practice, where synthesis functions not as traditional composition but as an exchange of signals.

Working slowly and intuitively, Stardust Multiplier approaches sound as a communicative medium between humans, the natural environment, and non-ordinary states of perception. Motifs evolve through repetition and subtle variation, informed by ceremonial music, mythic structures, and speculative communication frameworks associated with non-human intelligence—not as narrative devices, but as metaphors for attuned listening and pattern recognition.

Rather than moving toward resolution, Convergence documents moments of alignment—instances where intention, system, and environment briefly synchronize. The result is a restrained, deeply focused record, less concerned with atmosphere than attention, where synthesis functions as both a grounding practice and a method of inquiry. 

Stardust Multiplier

Transmissions From The Grassworld

Liminalia/ Noble Circuit Records

Format: Cassette and Digital

Release date: July 29th 2026

Transmissions from the Grassworld is an ambient work conceived as a series of intercepted signals rather than composed pieces. The album operates in the space between field recording, synthesis, and speculative broadcast—treating sound as information received, filtered, and reassembled rather than authored.

The record imagines the “Grassworld” not as a literal place, but as a parallel layer of perception: a low-lying signal field where environmental sound, electronic tone, and unconscious pattern intersect. Materials were generated through iterative recording, repetition, and degradation, allowing fragments to drift in and out of coherence like partial messages or decoded transmissions.

Rather than developing themes or progression, Transmissions from the Grassworld favors accumulation, interruption, and drift. Sounds arrive without announcement, persist briefly, and dissolve back into noise, suggesting communication systems that are unstable, indirect, or only partially intelligible.